UCD, Belfield, Dublin 4, Ireland | Director: Professor Liam Kennedy
Thursday 29th June
VENUE William Jefferson Clinton Auditorium, UCD
Thursday 29th June
VENUE William Jefferson Clinton Auditorium, UCD
Liam Kennedy (UCD Clinton Institute)
1: Peter Hales (University of Illinois, Chicago)
Centrifugal Cities
Panels A1 - A3
Terje Borgersen, (Norwegian Univesity of Science & Technology), City Photography - On Voyeurism and Urban Spectatorship
C.Y. Jim (University of Hong Kong), Vicissitudes of Urban Greening in Hong Kong: Systematic Analysis of Historical & Contemporary Photographs
Paulo Catrica (Photographer), The New Towns Programme: Photography, Ideology and Landscape
Ian Leith (English Hertiage), Bedford Lemere: City Photographer
Aleksandra Idzior (University College of the Fraser Valley), Photographic Images as Evidence Against the Urban Status Quo in Georgii Krutikov's 'City of the Future'
Neil Hertz, (Johns Hopkins University), People and Stones
Colin Jacobson (University of Westminster, London), Making the Visible Invisible: Photography and the Urban Homeless
Robert Terrell & Jean McIntosh (California State University & West Valley College), Guerilla Photography For a Better Community
Martina Mullaney (Photographer), Killing Time
Panels B1-B3
Steven Jacobs (Ghent University), What Ever Happened to Street Photography?
Hugh Campbell (University College Dublin), HEADS: Philip-Lorca diCorcia's Potrayal of Urban Consciousness
Lúcia Marques (University of Lisbon), Lisboa: A Study Case on the Photographic Construction on the City's Image
Sri-Kartini Leet (University of Northampton) Spatial Topographies: The City Imag(in)ed from Centre to Periphery
Marianna Michalowska (Adam Mickiewicz University), Identity of Emptiness: Photography of Urban Space as a Representation of Eastern Europe Lost Identity
Agnė Narušytė (Vilnius Academy of Rine Arts), Soviet City: From Youthful Zest to the Aesthetics of Boredom
Steffi Klenz (Photographer), Nonsuch
Temple Bar, Opening of American Ruins, an exhibition of works by Camilo José Vergara
VENUE William Jefferson Clinton Auditorium
II: Camilo José Vergara (Photographer),
American Ghetto Online
Panels C1- C3
JoAnna Mancini (NUI Maynooth), Inverting the City, Embodying the Collector: Louis Prang's Chromolithographs for Oriental Ceramic Art: The Collection of W.T. Walters
Paul Halliday (Goldsmith College, London), Blurred Visions: Painting, Photography and the Street
Lia Chavez (Goldsmith College, London), Language of Light: Rhizomatic Visions of the Urban Network
Gary Boyd (University College Dublin), In the Shadows of the Old Town: Thomas Annan and 19th Century Glasgow
Dag Petersson (The Royal Library, Copenhagen), Jacob Riis in Copenhagen, 1866-1869
Kerstin Schmidt (University of Bayreuth), "Flashes from the Slums": Social Photography and the Reconfiguration of Urban Space
Raphaële Bertho Photography, Suburbs and Psychogéography
Holley Wlodarczyk (University of Minnesota), Intermediate Landscapes: Construction Photographs of Late Twentieth Century Suburbia
Eric Sandeen (University of Wyoming), What We Bought: Robert Adams and the Development of Metropolitan Denver
Panels D1- D3
Darien Jane Rozentals (University of New South Wales), The Transforming Aesthetic of Industrial Ruins in Manchester
Justin Carville (Institute of Art, Design & Technology, Dun Laoghaire), The City in the Ruins: Photography, Urban Revolution and the Visual Economy of the Easter Rising
Derrick Price (University of Plymouth), The Skyscraper and the Photograph
Meredith TeGrotenhuis (Northwestern University), Lofty Domains: Fantasies of Ascent in Elevated Urban Views of the 1930s
Mary Woods (Cornell University), Women on Top: Photographing New York City Skyscrapers
Bruno Notteboom (University of Ghent), From Monument to Landscape & Back Again: Photography in the 'Bulletin du Touring Club de Belgique' in the Early Twentieth Century
Alejandrina Escudero (The National University of Mexico), Taxco, Mexican Shangri-La
Gerlinde Miesenboeck (University of Lapland), Creating the Tourist Imagination of Rome Through Photography in Contemporary Travel Guides
Panels E1 - E3
Greg Smith (University of Salford) Sidewalk Snaps: Photography and the Politics of (In)visibility in Mitchell Duneier's Urban Ethnography
Maeve Hickey (Photographer) & Lawrence Taylor (NUI Maynooth), Through the Eyes of Children: Photographing a Mexican Border City
Anne Cronin (Lancaster University), Advertising and the Possibilities of the City
Catherine De Lorenzo (University New South Wales), Realising Riley in Branly
Neli Dobreva (Ecole des Hautes Etudes en Sciences Sociales, Paris),
Documentary Approach of the "Urban Real": The Embodied Real of 9/11 Images
Ignaz Cassar (University of Leeds), Suspended Zones - Around London Prisons
Peter Mörtenböck (Goldsmith College London), Free Running: The City Between Image and Imagination
Gerard Smulevich (Woodbury University), The Reconfigured Frame
Panels F1 - F3
James Fraher (Photographer) and Roger Wood (Houston Community College-Central), Down in Houston: Bayou City Blues, Collaborating to Document a Blues Community
Helen Liggett (Cleveland State University), Let All God's People Say Amen
Melinna Kaminari (Panteion University), Project <<Borderlines: in the Limits of the Contemporary City and the Archaeological Sites of Athens>>
Gail Baylis (University of Ulster, Coleraine), Geographies of Space: City Surveillance and Nineteenth-Century Irish Eviction Photography
Teresa Castro (Université de Paris III, Sorbonne Nouvelle), Blurring the City: Olivo Barbieri's Model Cities
Cyril Thomas (University of Paris X Nanterre), The "mise en scène" of Urban Surveillance in Contemporary Photography
Dervila Cooke (Trinity College Dublin), The Parisan Flàneur and the Book of Photographs of Paris
Alan Marcus (University of Manchester), Imaging Urban Youth: New York City in the 1930s/40s
Ariadne van de Ven (Photographer), The Eyes of the Street: With a Camera in Calcutta
10.00pmOutdoor Screening of Rear Window in Meeting House Square, Temple Bar
Invisible Cities: Stating the Obvious
Panels G1 - G4
Anne Ronayne (Croydon College), Auratic Traces: Hysteria, Ecstasy and The Photograph
Douglas Smith (University College Dublin), Double Exposure: Photography and the City in Brassaï
Nina Lager Vestberg (Birkbeck College, University of London), Dreaming Paris: Photography and Experience in the Post-War City
Yasufumi Nakamori (Cornell University), Life Cycle of the City: Tokyo in Photography after the 1923 Kanto Great Earthquake
Liam Kennedy (UCD Clinton Institute), The Ruins of New York
Miriam Paeslack (Hochschule für Grafik und Buchkunst), Urban Photography in Post-Reunification Germany
Ian Wiblin (University of Glamorgan), Revisiting the Spectral City: Breslau/Wroclaw Photographically Reconsidered
Christina Quinlan (Dublin City University), Capital Consumption: Dublin in Late Modernity
Panels H1- H3
Geoffrey London (University of Western Australia), Bearing Witness: The Street Photographs of John Dwyer
Philip Goldswain (University of Western Australia), Prospects and the Picturesque: JJ Dwyer and the "Manufactured Landscape of Kalgoorlie"
William M. Taylor (University of Western Australia), Dark Portraiture: Social and Environmental Contexts for Dwyer's Kalgoorlie Night-Time and Mine Scenes
Clarissa Ball (University of Western Australia), The Crumbling of Empire and the Photographic Double in the Work of John Dwyer
Judy Bullington (University of Sharjah), Through the Prism: Camille Zakharia's Photo-Montage as Medium and Message
Margarida Medeiros (Universidade Nova de Lisboa), City Life, Photography Surveillance and the Influence of Michel Foucault
Warren Neidech (Goldsmith College, London), Urban Inversus: From the Inside-Out Body to the Constructive of the Intensive Field
Gary Van Zante (Massachusetts Institute of Technology, Museum), Reconstructing New Orleans: Theodore Lilienthal's Photographic Campaign for the Paris World Exposition of 1867
Brian Stokoe (University of Northumbria), The Image of London: Photography and Modernity in the Cityscapes of E.O. Hoppé
Kim Knowles (Univeristy of Edinburgh), Modernity in Ruins: The Urban Photography of Man Ray
Panels J1-J3
King Tong Ho (AUT University), Documind
Nicolas Fève (Photographer), The City as Photographic Practice: Representing and Shaping Urban Ways of Seeing
David Crawford (University of Göteborg), Realism vs. Reality TV in the War on Terror: Artworks as Models of Interpretation
Annie Gentes (National Institute for Telecommunications, Paris) Webcamed Cities: An Inquiry into New Representations of Cities on the Net
Olatokunbo Olaleye (Ryerson University), Digitizing Ibadan: Exploring Photoblogosphere as a Site of Resistance
Venda Louise Pollock (University of Glasgow), Dis/Re-membering the Gorbals: Collective Memory in the Photography of Oscar Marzaroli
Leonardo Ventapane de Carvalho (Fotopoétic, Federal University of Rio de Janeiro), Nostalgia: The City that Wasn't There
Panels K1 - K3
Bruno Chalifour (Photographer), The Dark Postmodern Side of American Cities Around the Great Lakes
James Brogden (University of Leeds), The New Unknown in the Well Known
Men Xiaoyan (Photographer), Urban Photography in China
Joseph Lewandowski (Charles University Prague), Urban Photography as Social Critique
Sergej Stoetzer (Darmstadt University of Technology), Photographic Representation of Urban Identites
Leonardo Caldi (University of Paris 8), Close Cities
Carlos Murad (Universidade Federal do Rio de Janeiro) Photopoetics and Urban Poiesis
Analysing the latest issues & trends in the US, especialy in US Foreign Policy